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(Guitar, banjo, mandolin, harmonica, vocals, b. 1948) Colorado’s Otis Taylor is the most inventive blues songwriter to emerge in recent decades. The Chicago native revives the genre’s role as protest music, often telling stories of lynchings, racial injustice and homelessness. His use of archaic Appalachian banjo tunings, droning progressions and digital delay creates ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

Blues-rock guitarist Mick Taylor was born in Hatfield, Hertfordshire in 1949. A guitarist from the age of nine, he was in his teens when he formed a group with some school friends that subsequently evolved into the Gods. Taylor made two singles with the band. When Eric Clapton failed to turn up for a Bluesbreakers gig in Welwyn Garden ...

Source: Rock Guitar Heroes, consultant editor Rusty Cutchin

(Drums, vibes, vocals, b. 1921) John Alexander Veliotes, born in Vallejo, California, started as a drummer and formed a big band in 1945. By 1947, Otis had switched to a seven- or eight-piece group. This was one of the earliest R&B combos to tour; the Johnny Otis Rhythm & Blues Caravan included vocalists Little ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, b. 1934) Rush, who was born in Philadelphia, Mississippi, was – along with Buddy Guy and Magic Sam – part of the defining trinity of Chicago’s West Side sound. His 1950s Cobra Records singles ‘All Your Love (I Miss Loving)’ and ‘I Can’t Quit You Baby’ became standards. Rush is undoubtedly a genius, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, vocals, 1930–70) The finest post-war blues pianist, Spann learned to play at churches and parties around his Jackson, Mississippi birthplace. From 1952 until his death from cancer, he was house keyboardist at Chess Records, recording with Muddy Waters, Bo Diddley, Sonny Boy Williamson, Howlin’ Wolf, Little Walter and others. Although ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Piano, b. 1929) Since the late 1950s, pianist Cecil Taylor has maintained a prime position in the pantheon of free jazz. He was one of the first jazzmen to jettison standard chord changes, fixed rhythms and expected ensemble roles in the interest of musical democracy. Taylor developed his unorthodox style while studying at New England Conservatory. Duke Ellington ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Guitar, vocals, 1915–75) Many guitarists might sound as though they have extra fingers, but Theodore ‘Hound Dog’ Taylor, who did not become a full-time musician until he was well past 40, actually had an extra digit on each hand. Producer Bruce Iglauer founded the Alligator label in 1971 expressly to record the guitarist’s energetic, raw ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Vocals, b. 1935) Singer Koko Taylor (née Cora Walton) earned the title ‘The Queen of Chicago Blues’ due to her no-nonsense, brazen vocal style. She writes much of her own material, songs that resonate with womanly power and assert her claim to blues royalty. Taylor grew up singing gospel in Memphis and switched to the blues after moving ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

(Bandleader, singer-songwriter, b. 1921) Of Greek parentage, California-born John Veliotes topped the US R&B chart twice in 1950 with ‘Double Crossing Blues’ and ‘Mistrustin’ Blues’, both credited to The Johnny Otis Orchestra. After moving from Berkeley to Los Angeles, he supposedly discovered such notable R&B vocalists as ‘Little’ Esther Phillips, Willie Mae ‘Big Mama’ Thornton, ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

Georgia’s finest soul son, Otis Redding’s story encapsulates the history of soul music. He was a hard-working performer with special gifts who became a role model of dedication and success, an icon for his African-American peers. In the process he also won the hearts of the white audience with his music, and, by the simple act of ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, singer-songwriter, b. 1948) Discovered by The Beatles’ Apple label, for whom he recorded his first album in 1968, Taylor moved back to America to seek a cure for heroin addiction. He signed to Warner Bros and unleashed the three-million-selling Sweet Baby James in 1970, featuring the No. 3 single ‘Fire And Rain’. Although his early ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Singer-songwriter, b. 1989) Swift is a blonde, photogenic country singer-songwriter who achieved massive crossover success in mainstream America. Her eponymous debut peaked at No. 5 in 2006, and stayed in the Billboard 200 for the rest of the decade, achieving multi-platinum status. Two years later Fearless rocketed straight to No. 1 and included her most successful international ...

Source: The Definitive Illustrated Encyclopedia of Rock, general editor Michael Heatley

(Guitar, vocals, b. 1931) Sumlin’s distinctive riffs are all over Howlin’ Wolf’s classic Chess recordings; Wolf plucked the Greenwood, Mississippi innovator from a band he had started with James Cotton, and Sumlin became an integral part of Wolf’s sound. After Wolf’s death in 1976, Sumlin joined saxophonist Eddie Shaw in his Wolf Gang band and ventured ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

By definition, a contemporary era defies summary. No one living in it has the conclusive perspective to discern the prevailing character of our times, even though we all know what we’re going through, and can hear what we hear. The reductive view is: Americans, after a burst stock-market bubble and terrorist attacks, live in uncertainty, ...

Source: The Definitive Illustrated Encyclopedia of Jazz & Blues, founding editor Howard Mandel

If you look for country music’s Big Bang, there is nothing more momentous than Bristol, 1927. Within four summer days, two stars appeared that would change the cosmology of country – remap the sky. And it all happened in a disused office building in a quiet mountain town perched on the state line between Virginia and Tennessee. Why ...

Source: The Definitive Illustrated Encyclopedia of Country Music, consultant editor Bob Allen
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